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How To Draw With Copic Markers

Copic Markers appeared on my radar almost ii years agone and I haven't looked back since. It was around the fourth dimension I started my Instagram folio, and my followers could see how the collection of five markers was growing slowly and how much could be achieved with just a few pens. For my ink drawings, I oft limit my usage of markers; a few colours can create refreshing works, while using besides many can have the contrary upshot.

I'm proud and happy to be able to inspire over 600,000 followers with my daily drawings. Working in the office and studying during the day, I know how hard it is to find the free energy and motivation to depict afterwards work or school, but I try to tell everyone to never give up their passions. I started out by spending a few minutes every evening on sketching, simply the joy that finished image brings me is and so strong that these days I can spend the whole night drawing without noticing!

Each color is featured in no more than than iii elements. This adds rhythm and harmony to the painting.

Asia Ladowska

For this workshop I challenged myself to come upward with a simple grapheme pattern, mostly to focus on and demonstrate how I use Copic Markers (run into this Blackness Friday Copic marker post if yous need your own markers), but don't exist deceived! The graphic symbol and the pose may exist simple, but I equipped this girl with accessories and details that add to her personality. At the first glance she may wait innocent and harmless, but then you notice a faint smile and one lifted eyebrow complemented past a picayune patch on her jaw, a sabre cat skull design on her top and claw-like earrings. Then you realise that she's upwardly to no good. Blueish colours calm the painting and pink glasses add together to a dreamlike atmosphere.

The palette is express to three principal colours: blueish, black and pink. If you look closely, they not only work well together, simply they're also equanimous in harmony wherever I've added them to the paper.

Each colour is featured in no more than three elements: blue (pilus, blouse and rose); pinkish (glasses, sleeves and material at the bottom of the page); black (her top and the two ribbons tying her twin ponytails). This adds rhythm and harmony to the painting.

In addition to the footstep-by-footstep breakdown, my video for this workshop (above) also reveals some tips on how I achieve my smooth marker blends. Be certain to check information technology out!

01. Experiment with sketches

A series of four character concept sketches

Make the time to experiment with sketches

It's okay to spend time developing ideas – sketching them out for a while before developing a final drawing. On a bye, it can take five minutes to draw what I desire, when hours of labour won't bring the same fresh and satisfying upshot. Take your time and proceed sketches loose.

A refined character concept sketch

Play around with the image to atomic number 26 out errors

Howdy Photoshop! At this stage I'd ordinarily choose my favourite messy sketch, scan and open it in Photoshop CC. Here, I change the paradigm to black and white and brand use of the Liquify tool. Flipping information technology horizontally reveals some mistakes in the drawing.

03. Size matters!

Inking over a character concept sketch

Time to supersize your image

My sketches are tiny because it's easier to control the character's proportions. It likewise stops me from adding a lot of details at the start of the process. I scale the design to A4 size and print out to then transfer to a smooth watercolour paper using a light box.

04. Create first layer of ink

Ink pen next to character line drawing

Illustrating in Sepia is a safe pick

Before inking, I make some tweaks and add details with pencil, so put down a thin line mostly with the Sepia Copic Multiliner. Sepia is a safe pick because almost all other colours tin can embrace information technology in the second stage of inking. Note that ink fades when used with markers, and so there'south no need to overwork the line fine art at this stage.

05. Build colour

Pair of illustrations built up with different colour markers

Beginning from light colours and work down to darker shades

Alcohol markers tend to pick up ink that's already on the newspaper, so it'due south best to commencement from the lightest parts of the composition and build up darker colours gradually. The tip will always find a hazard to pick upwardly dark ink and create smudges. Bearing this in mind, I outset colouring the pare showtime.

06. Decide on the colour palette

Three versions of a character illustration in different colours

Pick and cull your colour scheme with Photoshop

Photoshop comes in handy again! Digital software makes information technology piece of cake for me to effort out a range of possibilities and colour combinations, to the degree where I almost decide to use the colours I don't have as markers! When I'm working out a color palette, I try digital colouring showtime or draw fiddling v-minute thumbnails on paper and colour them in traditionally. In the finish I settle on the blue–pink–blackness palette.

07. Color the graphic symbol'southward hair

Concept character hair built up with different shades of blue

Blend your colours earlier they dry

I beloved using vibrant gradient colours to paint hair! Copic markers tin can blend seamlessly and to achieve this I regularly switch betwixt markers, using a lighter color to create smooth blends. It takes some patience, but it's worth it. I would recommend blending your markers while the ink is still wet.

08. Use the magic of Copic blending

Belt built up with different shades of blue

A wide nib is keen for creating a fabric texture

I'thousand using the same colours for both the hair and the blouse tied around her waist. I use the side with a brush nib for her hair, which enables me to blend softly. For the blouse I use the broad nib of the markers to create a realistic material look. Using markers with different tips makes it possible to create a range of textures.

09. Blueprint accessories

Close up of character accessories

Accessories help to bring the composition together

This is the fun function of the process. Her height shows a beautiful sabre-toothed true cat's skull with cat ears. Adding a blossom makes the cat look cute and complements my colour composition, which was missing a blue emphasis. Her glasses, earrings, patch on her jaw and bows all come together to create a dangerously sweet character!

10. Add second layer of ink

Character with sharpened line work

A second layer can help bring back buried line work

Now I apply a 2nd layer of line work, using various colours of multiliners. Varying the line thickness keeps things interesting. The first layer has already faded with the corporeality of booze and ink involved. Time to bring it back!

xi. Add final touches

Final illustration of a female character

Coloured pencils are perfect for subtle finishing touches

I use coloured pencils to brand barely noticeable changes to the drawing, such as deepening the shadows and calculation a blush to the character's cheeks. Coloured pencils complement markers well and can encompass small imperfections and uneven blending.

This article originally appeared in issue 163 of ImagineFX , the world'south leading mag for digital artists. Subscribe here.

Related articles:

  • How to draw a character in pen and ink
  • ix meridian tips for cartoon in black and white
  • 17 stunning examples of ink drawings

Source: https://www.creativebloq.com/features/create-a-character-using-copic-markers

Posted by: daviswallard1976.blogspot.com

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